Dr Chris Meigh-Andrews is an artist, writer, curator and Emeritus Professor of Electronic and Digital Art, University of Central Lancashire. He has an MA in Fine Art from Goldsmiths and a PhD from Royal College of Art. He has written and lectured extensively on the history and practice of artists’ video. Publications include A History of Video Art: The Development of Form and Function, Berg (Oxford and New York, 2006), in Japanese by Sangensha (Tokyo, 2013). An enlarged and extended second edition was published by Bloomsbury (London and New York, 2013), in Chinese by China Pictorial Publishing (Beijing, 2018). He is currently Editor-in-Chief, (UK and Europe) of the forthcoming three-volume Encyclopaedia of New Media Art (Bloomsbury, 2025).
Curatorial projects include Meta Landscapes: Representations & Perceptions, Valletta Contemporary; Yes, Snow Show, (with Elisabetta Fabrizzi), British Film Institute, London; Digital Aesthetic 1, 2 & 3, (with Lindsay Taylor), Harris Museum & Art Gallery, Preston; Analogue: Pioneering Video from the UK, Canada and Poland: 1968-88, (with Catherine Elwes), Tate Britain & Tate Modern, London, FACT, Liverpool, Norwich Gallery, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, St James Cavalier Centre for Creativity, Valletta, MOCCA (Museum of Contemporary Canadian Art) Toronto, Arsenal Cinema, Berlin.
