Eunha Chang (she/her) is a curator, writer, and researcher from Seoul, South Korea, currently based in New York, US. Her work explores how sovereignty, ecological precarity, and systems of control shape bodies and minds. She examines how individuals navigate presence, memory, and survival amidst displacement, extraction, and transformation within shifting socio-political, environmental, and cross-cultural landscapes.
She holds an MA with distinction in Contemporary Art Theory from Goldsmiths, University of London, and is currently pursuing a PhD in Art History at Binghamton University as a Fulbright Scholar. Her research investigates the interstices between human and non-human, analogue and digital, embodied and mediated. These inquiries take shape through exhibitions and texts that explore states of in-betweenness.
Her recent exhibition, The Internet Barnacles (2025, G Gallery, Seoul), reimagines digital space and its users through Plato’s allegory of the sea-god Glaucus, reflecting on how digital infrastructures alter subjectivity. Through curatorial projects such as Sad Captions (2024, Seoul Museum of Art, Seoul), Squish! In the Forest (2024, Insa Art Space, Seoul), and Autophagy (2022–2023, de Appel, Amsterdam), she has engaged with themes of intimacy, sovereignty, and ecological entanglements. Her work draws connections between consumption, displacement, and agency.
Chang’s practice has been recognised with awards and grants from the Fulbright Programme, Arts Council Korea, the Seoul Foundation for Arts and Culture, and the Korean Foundation for International Cultural Exchange. She has worked for major international institutions, including the Istanbul Biennial, Seoul Museum of Art, and the National Museum of Modern and Contemporary Art, Korea. Additionally, she has participated in international programmes such as the Liverpool Biennale Curatorial Study Group and curatorial workshops at Harvard University and the Hood Museum of Art, organised by the National Museum of Modern and Contemporary Art, Korea.
