Cookies
We use analytics to help us understand how people use our site. This means we set a cookie. See our cookie policy.

Search

Art & Poetry: Ekphrastic Ethics in the Gallery Space, 11 May 2024

Ulster Museum
Botanic Gardens, Belfast, BT9 5AB
11 May 2024
Convened by Eva Isherwood-Wallace

Image showing a drawing of an elaborate Grecian urn by John Keats overlaid with the handwritten text of his poem “Ode on a Grecian Urn”. The drawing and text are in purple on a light blue background. Above the image, a title in black text on a white background reads “Art & Poetry: Ekphrastic Ethics in the Gallery Space”. Below the image, the logos of BAN, Paul Mellon Centre, Yale, Arts Council England and Tate are shown in black on a white background.

Art & Poetry: Ekphrastic Ethics in the Gallery Space brought together poets, painters, essayists, photographers, performance artists (and more) for an afternoon of interdisciplinary conversation and experimentation at the Ulster Museum, Belfast in May 2024. We learnt about the possibilities of ekphrasis, discussed examples from a range of writers, and thought about how to apply this in our work.

Soft Fiction Projects guided us in a collaborative activity, responding to poetry by Anne Carson in collage. This practical exercise created a welcoming and inclusive environment in which artists and writers took turns as beginners, discovering new disciplines and engaging in creative play.

Once we were comfortable with ekphrasis, and each other, we visited the gallery to view Supper at Emmaus and The Taking of Christ by Caravaggio. After a free-writing session, we shared our responses. Artists and writers were drawn to different (and similar) things present in the paintings; each participant offered a unique perspective based on their creative practice, background, and personal experiences.

Following this, we had an open discussion about ekphrasis in light of our findings. We considered ethical questions of inspiration, intellectual property, and giving ‘voice’ to the visual arts. The group imagined possible future collaborative works that might break down perceived barriers between the visual and literary arts. As one participant wrote in their post-event feedback: “It was really refreshing to attend a workshop that engaged both the more analytic and the more intuitive parts of my thinking and practices, rather than treat them as exclusive.”

A projector displaying a collage by two participants made from photographs of classical statuary and hands printed on red and clear acetate with printed text from the poem “Betty Goodwin: Seated Figure with Red Angle, 1988” by Anne Carson.
Image credit Eva Isherwood-Wallace
A group of people sit around a large table in a workshop room, making collages. The table has paper, acetate, pens and photographs laid across it and there are masks and historical objects from various eras on the wall and shelving in the background.
Image credit Eva Isherwood-Wallace
A projector displaying a collage by two participants made from photographs of Neolithic objects printed on red and clear acetate with printed and handwritten text from the poem “Betty Goodwin: Seated Figure with Red Angle, 1988” by Anne Carson.
Image credit Eva Isherwood-Wallace