{"id":1532,"date":"2021-10-13T16:45:57","date_gmt":"2021-10-13T15:45:57","guid":{"rendered":"https:\/\/britishartnetwork.org.uk\/?page_id=1532"},"modified":"2021-11-03T14:47:48","modified_gmt":"2021-11-03T14:47:48","slug":"curating-nation","status":"publish","type":"page","link":"https:\/\/britishartnetwork.org.uk\/activity\/seminar-series\/curating-nation\/","title":{"rendered":"Curating Nation | UAL Decolonising Arts Institute with the Black British Art Research Group, April\u2013May 2021"},"content":{"rendered":"\n

A series of 3 workshops exploring how existing narratives of British art might be expanded through curatorial and art historical interventions.<\/p>\n\n\n\n

Conceived by Hammad Nasar<\/strong> and developed in collaboration with the British Art Network\u2019s Black British Art<\/strong> Research Group<\/a> led by Dr Alice Correia<\/a><\/strong>, Dr Elizabeth Robles<\/a><\/strong> and Marlene Smith, <\/strong>Curating Nation coincided with the opening of the British Art Show 9<\/strong> <\/em>in Wolverhampton.<\/p>\n\n\n

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All events in this series <\/h2>\n\n\t\t\t\t\t<\/div>\n\t\t\n\t
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Curating Nation | Workshop 3: What Narratives of British Art Are Being Co-produced Internationally?<\/h2>\n\t\t\n\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\n\t\t
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Curating Nation | Workshop 2: What Stories of British Art Travel?<\/h2>\n\t\t\n\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\n\t\t
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Curating Nation | Workshop 1: What Does a National Collection Look Like?<\/h2>\n\t\t\n\t\t<\/div>\n\t\t\t\t\t\n\t\t\n\t<\/div>\t\n\t\n\t<\/div>\n\t\n<\/section>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A series of 3 workshops exploring how existing narratives of British art might be expanded through curatorial and art historical interventions. 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