{"id":939,"date":"2021-07-09T18:00:14","date_gmt":"2021-07-09T17:00:14","guid":{"rendered":"https:\/\/britishartnetwork.org.uk\/activity\/seminar-series\/"},"modified":"2024-03-07T15:06:56","modified_gmt":"2024-03-07T15:06:56","slug":"seminar-series","status":"publish","type":"page","link":"https:\/\/britishartnetwork.org.uk\/activity\/seminar-series\/","title":{"rendered":"Seminars"},"content":{"rendered":"\n

BAN offers support for seminars, workshops and discussions exploring practices, issues and ideas in the field of British art curating.<\/h2>\n\n\n\n

Seminar Support bursaries are offered each year, and are intended to foster new curatorial thinking and support networking and sharing in connection with British art of all periods and media. Events may take the form of academic gatherings, gallery-based activities, round-table discussions, screenings or workshops. You do not need to be a member of the British Art Network to apply for this support.<\/p>\n\n\n

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\"streetview<\/figure><\/div>\n\n\n
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Regent Street Cinema, London, during the ‘Itinerant Imaginaries’ screening event, supported by BAN in November 2021, see here<\/a>.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

Previous BAN Seminars<\/strong><\/p>\n\n\n

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\n\t\t\t\t\t\t\t\n \"painting\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSTATE OF PRINT: Contested Land-Space-Planet-Title<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tOn the 22nd March, Generator Projects and STATE OF PRINT are hosting a one-day symposium exploring print practices and the role that these have played in establishing structures of ‘State’.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"The\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Artist and the Other<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tA round-table discussion organised by Artist and Curator Sarah Francis, hosted by Leeds Art Gallery, with guest speaker Jo Verrent from Unlimited\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Collecting\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCollecting and Managing Spontaneous Memorials<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tOrganised by Dr Kostas Arvanitis at the Manchester Art Gallery, this seminar brought together fifteen museum and heritage practitioners and researchers to discuss spontaneous memorials in the context of museums and other cultural and heritage organisations\u00a0\u00a0\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Installation\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tInstallation Art Now<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tInstallation Art Now was a roundtable discussion exploring the current climate for producing, commissioning, exhibiting and collecting ambitious installation art\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Why\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWhy look back? Contemporary Art & Institutional Memory<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tA workshop exploring the practice, potential and value of working with and caring for the histories, archives, and memories of contemporary art institutions \t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Looking\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLooking North Presents: Exploring Post-Growth and Sufficiency in Art & Exhibition Practices in Scotland<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tA roundtable event that aimed to explore the role of the art and culture sector in diversifying positive environmental action\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Quality\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tQuality Dis\/Abled<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tExplores how quality within art practice is judged between people who identify as D\/Deaf disabled and non-disabled\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"‘Hope\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t‘Hope as a practice’, sharing practices of support, collaboration and interdependence<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tThis seminar invited participants to consider how the arts sector in the North of Ireland can embed better practices of support, collaboration and interdependence\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Online\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tOnline Professional Practice Seminar: Public Sculpture, Gender, and Sustainability.<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tWith a particular focus on notions of sustainability, considering not just environmental concerns but of artistic practice, this seminar will invite a group of UK based artists and curators who identify as female or non-binary to address the issues of sustainability and gender inequality in large scale public art projects.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Experimental\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExperimental Noise Artists Seminar<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tMapping experimental sound artists around the UK, including live performances and sharing\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"~\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t~ a very heavenly social ~ archiving the artist-led ~<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tA very heavenly social is an afternoon seminar of communal discourse around archiving the artist-led over a delicious lunch with peers.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"ChART,\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tChART, an exhibition from Brown Leaders and Makers Exist (BL&ME)<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tChArt, a durational and performative exhibition from Brown Leaders and Makers Exist (BL&ME)\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Placeholder\"\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWhat is next? How do we turn intentions into actions through social justice,? 4 November 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
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Panel discussion and Q+A at London College of Communication<\/p>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCurating Magic A programme of talks and panel discussion investigating the curation of magical art, magic and esotericism, 29 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tFeed Forward: Heritage of Slavery, 28 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
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Feedforward is a research and networking platform in which practitioners are invited to present their work, receiving and giving challenging feedback and genuine support one another.<\/p>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t

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\n\t\t\t\t\t\t\t\n \"Placeholder\"\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRadical Art in Cambridge, 26 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
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A roundtable discussion on radical exhibitions, artists’ residencies, publishing and community photography in Cambridge in the 1980s<\/p>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBlack Art and the Burden of Representation<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tWe are pleased to announce that the postponed seminar ‘Black Art & the Burden of Representation’ has been rescheduled for Thursday 20 October, 10.30am-4.45pm. The event will include tours of […]\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Workshop:\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tWorkshop: The Politics and Ethics of Interview Transcription, 19 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tThis workshop aims to make visible the decisions involved in the transcription process and the knock-on effects on how the interview is received.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"collaged\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\u2018The Work Before The Work\u2019: Redrafting Institutional Writing Practices<\/em>, online event 10 October 2022<\/em><\/a><\/h3>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"A\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCurating Roman Catholic Material Culture 1536-1829, 3 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tThis workshop has been conceived with a view to allowing curators and other interested parties to develop the knowledge, language, and network needed to facilitate access to, present, interpret and mobilise Catholic heritage for multi-cultural audiences of diverse spiritual or no faith backgrounds.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Enlightened\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tEnlightened Women: British Women Artists in the 18th Century, 9 September 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tA collaborative curatorial workshop on curating eighteenth-century women artists in British and Australian collections.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Two\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Artist Interview in Britain, 9 September 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tThis seminar aims to create a network of historians, curators, artists and critics who are interested in discussing methodological and ethical questions about interviews, as well as uncovering and mapping British interview collections.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Image\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBlack Art and the Burden of Representation, 20 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTaking a cue from Kobena Mercer’s 1990 essay Black art and the Burden of representation, this seminar will serve as a starting point for unpacking questions and ideas surrounding the representation of the Black community in public sculptures.\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Flyer\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tItinerant Imaginaries | University of Westminster, June\u2013November 2021<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Irish\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tIrish Modernisms | CCA Derry~Londonderry, June\u2013September 2021<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Screenshot\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCurating Nation | UAL Decolonising Arts Institute with the Black British Art Research Group, April\u2013May 2021<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Decolonising\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tDecolonising British Art: Decentering, Resituating and Reviewing Artworks and Collections | UAL Decolonising Arts Institute, November 2020<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Image\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCurating, Care and Community, September 2020<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tExplore care and its role in curatorial practice with the British Art Network\u2019s Early Career Curators Group\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"Sepia\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tImperial Subjects | Glynn Vivian Art Gallery and Dr Zehra Jumabhoy, May 2020<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"abstract\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tInter Scape: South Asian British Women Artists, 17 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
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The seminar explores South Asian British women artists contributions to contemporary art in presentations byartist Naiza Khan, art historian Rina Arya, curator Uthra Rajgopal and artist Uzma Sultan<\/p>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t

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\n\t\t\t\t\t\t\t\n \"an\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCuratorial Strategies for Civil Rights Protest Aesthetics, 20 October 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
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Work by British artists has referenced historical links between the Northern Irish and Black American civil rights movements.<\/p>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t

\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"artwork\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tArt, Memory & Place, 14 September 2022<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t

Organised by Ellie Porter, Art360 Foundation this seminar explores the question: how does art allow us to think about memory and place?<\/p>\n\t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t

\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\n \"\u201cHope\n <\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\u201cHope as a practice\u201d: sharing practices of support, collaboration and interdependence<\/a>\n\t\t\t\t\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tThis seminar is guided by the idea of “hope as a practice” and aims to share practices of support, collaboration and interdependence in the arts community. \t\t\t\t\t\t\t<\/div>\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t \n\t\n\t<\/div>\n\n<\/section>","protected":false},"excerpt":{"rendered":"

BAN offers support for seminars, workshops and discussions exploring practices, issues and ideas in the field of British art curating. 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