{"id":240,"date":"2021-04-07T14:18:38","date_gmt":"2021-04-07T13:18:38","guid":{"rendered":"https:\/\/wordpress-250162-1852027.cloudwaysapps.com\/?post_type=tribe_events&#038;p=240"},"modified":"2022-01-27T17:20:47","modified_gmt":"2022-01-27T17:20:47","slug":"curating-care-and-community","status":"publish","type":"tribe_events","link":"https:\/\/britishartnetwork.org.uk\/event\/curating-care-and-community\/","title":{"rendered":"Curating, Care and Community, September 2020"},"content":{"rendered":"<div class=\"content__standfirst\">\n<p>Explore care and its role in curatorial practice with the British Art Network\u2019s Early Career Curators Group<\/p>\n<\/div>\n<div class=\"content__body-text\">\n<p>The word \u2018curator\u2019 derives from the Latin\u00a0<em>curare<\/em>, \u2018to care\u2019. Curators are charged with the physical and intellectual care of collections \u2013 the artworks, objects and narratives found within our cultural institutions. However, it is evident that the concept of care within our sector must stretch beyond the guardianship of cultural heritage, to the care of and concern for those around us.<\/p>\n<p><em>Curating, Care and Community<\/em>\u00a0will explore the increasingly urgent matter of how we care for ourselves, our colleagues, our collaborators and our audiences through our work in the arts, within and beyond institutions.<\/p>\n<p>Hosted by Jemma Desai, presentations and panels will address:<\/p>\n<ul>\n<li>Artists and acquisitions<\/li>\n<li>Working with marginalised groups<\/li>\n<li>Alternative ways of organising and collaborating<\/li>\n<li>Curating as a form of repair<\/li>\n<li>Dismantling colonial and ableist tropes<\/li>\n<\/ul>\n<p>BAN members and the wider curatorial community are invited to share experiences and ideas in a supportive, reflective environment. To facilitate sharing, participants will be sent some questions on the theme of care to consider in advance, though there will be no pressure to contribute. There will be opportunities for questions throughout and participation will be encouraged through polls and Google Jamboard.<\/p>\n<p>Programme notes available to download here: <a href=\"https:\/\/britishartnetwork.org.uk\/wp-content\/uploads\/2021\/04\/Programme-Curating-Care-and-Community.pdf\">Curating Care<\/a><\/p>\n<h4>Speakers:<\/h4>\n<p>Khairani Barokka, UAL Decolonising Arts Institute<br \/>\nSam Curtis, Bethlem Gallery<br \/>\nAmrita Dhallu, Tate Modern<br \/>\nJade French, University of Leeds<br \/>\nBeth Hughes, Arts Council Collection<br \/>\nAlison Jones, Tate Liverpool<br \/>\nAdi Lerer, independent curator<br \/>\nKirsteen Macdonald, Chapter Thirteen<br \/>\nThe Voice of Domestic Workers and students of the MRes: Art: Exhibition Studies (Central Saint Martins)<\/p>\n<p>This event has been programmed by the British Art Network\u2019s Early Career Curators Group, a supportive forum of 14 curators brought together to share experiences and thinking around curating British art. The seminar aims to be relevant for curators at all stages of their career and is an opportunity to have open conversations and learn from each other.<\/p>\n<p>Applications are currently open for the next group, renamed the\u00a0<a href=\"https:\/\/www.tate.org.uk\/research\/british-art-network#opportunities\">Emerging Curators Group<\/a>, to be active October 2020 to June 2021.<\/p>\n<h4>Early Career Curator Group 2019\u201320:<\/h4>\n<p>Rebecca Burton (Harewood House Trust)<br \/>\nAlice Eden (Leamington Spa Art Gallery and Museum)<br \/>\nMels Evers (Tate Britain)<br \/>\nJames Finch (Tate Britain)<br \/>\nBecky Gee (York Museums Trust)<br \/>\nSamantha Howard (The Potteries Museum and Art Gallery)<br \/>\nMarcus Jack (Glasgow School of Art)<br \/>\nTessa Kilgariff (English Heritage)<br \/>\nJessie Petheram (National Museums Liverpool)<br \/>\nHelen Record (Royal Academy of Arts)<br \/>\nEmily Riddle (The Hepworth Wakefield)<br \/>\nTor Scott (Scottish National Gallery of Modern Art)<br \/>\nRachel Smith (independent)<br \/>\nCharlotte Thomas (National Academy for Educational Leadership Wales)<\/p>\n<p><em>The British Art Network is led and supported by Tate and the Paul Mellon Centre for Studies in British Art, with additional funding provided by the National Lottery through Arts Council England.<\/em><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Explore care and its role in curatorial practice with the British Art Network\u2019s Early Career Curators Group<\/p>\n","protected":false},"author":1,"featured_media":244,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ep_exclude_from_search":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"ban_category":[49,52],"ban_tag":[],"tribe_events_cat":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - 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