“Hockney’s transformation from a mousy Bradford boy to a showy LA blond is presented as the precursor of all those feminist artworks of the 1970s and 1980s that involved dressing up and becoming someone else … As so often happens in displays of modern curating, a feminist agenda has kidnapped chunks of the exhibition and pointed them in another direction.” (Waldermar Januszczak in The Sunday Times, 18 November 2012)
